In addition to exclusive content, Doomtree patrons get a t-shirt that says, "I Keep the Lights On At Doomtree Records." Aaron Mader (known as Lazerbeak), a member of the group and CEO of the label Doomtree Records, said the $700 a month that he's able to send to each bandmate is really helpful when it comes time to pay rent.
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"And it affords us the opportunity to get creative with what that looks like."ĭoomtree, a seven-member hip-hop collective out of Minneapolis, has almost three times the number of patrons as Devine, but also has many more mouths to feed. There are things I have to get done on a weekly basis to fulfill my part of that," said Devine, who performs cover songs and reimagined originals for his fans. "It's an opportunity to have some structure. He has 476 patrons, paying between $5 and $20 a month for three different packages, with those in the top tier getting access to a monthly Instagram Live concert and a handwritten lyric sheet every year.Īfter Patreon's revenue cut, which is typically 8%, and the 15% that goes to covering various business expenses, Devine says he's taking home over $5,000 a month, more than enough to keep from starving, and comparable to what he would often make in more normal times. "We read the tea leaves and saw touring was going to be a non-factor for perhaps as long as two years," said Devine, who typically performs for a couple hundred to a couple thousand people in clubs and at festivals.ĭevine now spends most of the day with his four-year-old daughter and then turns his attention to music, largely on Patreon. Amd at least the Dead Milkmen never had their music played in elevators and over slides of "Try a large, delicious Popcorn.Kevin Devine, a singer-songwriter in Brooklyn, New York, is among the new musicians on the site. But let's face it- tongue- in- cheek artists have such a short shelflife. Too bad they were all on the first album. Sure, Ben Folds once penned some delicious pop songs. Quite simply, the fart- fuzz bass and twinkling piano formula doesn't lend itself to musical ingenuity and variety- this trio has run out of ideas. Quickly Folds retreats to the sad, safe sounds of "Brick" for the rest of the album, save for a somewhat funky "Your Redneck Past" (He he! There's that word again! He's a reg-u-lar Jeff Foxworthy!) and some answering machine message instrumental (those are always keepers). The album opens up on a promising note with the over- the- top, Queen-ish "Narcolepsy." Big dumb strings, thundering drums, and operatic choruses usher in a new direction for Ben Folds. Ben Folds still sprinkles his lyrics three albums into his career with a "redneck" here, a "mullet" there, and a "fuck" every now and then and thinks he's a) funny, and b) edgy.
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Some attempt to throw credibility at Ben Folds simply because he's- gasp- playing a piano. This doesn't even come close to touch "good," friends. The song that Albini sang along to (which was called "Army," not "I am Lame," as previously suspected) sounded like a cross between bad Billy Joel and Vaudeville. Fittingly, Ben Folds now markets his buttery pop towards that same A&E demographic of old white people and lazy college kids who believe they're getting art. The Unauthorized Biography of Reinhold Messner sounds like a droll A&E special. You can figure out what every note on this album will sound like faster than you can spit out the forgettable, awkward title. Ho ho! I didn't need Albini's reassurance to sway me into assailing Ben Folds latest offering, but it was nice to know that someone else was on my side.
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Immediately, Albini groaned and chimed in with his faux- Folds falsetto "I am laaame!"
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At some point, Ben Folds Five's lastest radio single drifted out. I wondered what a notoriously anti- major label wiseguy (who apparently does not carry his elitist attitude over into other media areas, as he was in line on Day One for "Star Wars") would have to say about the likes of the Dixie Chicks, Train, and Britney Spears. I listened to Albini's comments hoping to find a soundbyte to quote for a review. Uberproducer Steve Albini (who you won't know as the producer of Tar, but more likely as the producer of Nirvana and Page & Plant) and his legion of jumpsuited studio drones sat next to me.Īs we waited anxiously for the 20th Centuty Fox drumroll we were subjected to the piped MovieTunez that theatres P.A. Unfortunately, I've mostly bumped into indie- rock "icons." Like last Wednesday when I went to go see "The Phantom Menace. I placed a web of red lasers up and down Damen at knee's height hoping to see Zeta- Jones' athletically- wrapped booty sliding under them.
#Ben folds army sheet music page 2 movie#
John Cusack and Catherine Zeta- Jones are filming a movie right down my street. Ever since I moved to Chicago I've been running into famous people.